Chapter two begins with an explanation of the system devised by Lamm and Schuler to provide uniform labeling for all china buttons. The system is used throughout the text, where appropriate.
They first assigned a name to each body type and displayed each variation that they found in that one body type. Throughout the text, buttons of all types are labeled as follows: “A” refers to an opaque white button; “B” denotes color trim on white body; “C” is a lustered body; “D” is an opaque body color other than white; “E” represents color trim on a colored body; “F” is marbled; “G” indicates a metal rim on the button. A lower case letter, “a” through “m” is assigned to each decorative pattern found on china buttons. Of course, not every button has been found in all of the possible treatments. To illustrate the system, the photos show examples of dish type buttons, labeled according to Lamm and Shuler's system.
PART 1: Gaiter Buttons
Gaiters are found in nine shapes. The method of shank attachment is shown in Plate 9 and the profile of each body type in Plate 10.
- Shape 4
- Shape 7
- Shape 8
- Shape 9 (Scallop)
The photo below shows an example of each body type. In a row below the nine shapes are two variations: a dome shape with tan center and a spatter pattern dome.
Shape 1, the dome button, is found in 15 different patterns of a round center, bands, and borders. (There are rumors of a 16th pattern also.) These are aptly named Bull’s-Eye Gaiters. The body color is white, although dark colored bodies with a pattern in gold have been found. It is most difficult to distinguish between patterns 9 and 10 and 14 and 15. Pattern numbers 13, 14 and 15 are the most difficult to find. Colors are black, light and dark blue, brown, burgundy, green, orange, green and purple.
And here is an unusual dark blue bodied dome shape with a pattern #10 decoration in gold luster, found in France.
Shape # 2, the Cone, can be found in solid colors and lusters. One pattern is found: a solid colored tip with a contrasting band around the wider base o the button.
Shape #3, the Hobnail Gaiter button, quoting from Guidelines, “gets its name from a hobnail band that separates a smooth rim from a round boss which rises up to form the center of the button. The patterns are built up entirely in terms of those three parts, boss, hobnail and rim. Basically all of the patterns can be reduced to four: (a) boss and hobnail band alike with rim of contrasting color; (b) boss and rim alike with hobnail band of contrasting color; (c) boss, hobnail band and rim each of a different color; (d) boss and hobnail band alike but outlined by a fine line, rim of contrasting color.” In addition to the patterns, the body type is also found in solid colors.
Shape #4 has a convex center and a rolled rim. It is found in solid colors and centers of white, perle or orange luster and contrasting rims of solid colors. Shapes # 5, 6, 7, 8 are found only in solid colors. or lusters. Shape #9 is rare and found in white or perle luster. Before leaving “gaiters”, I’d like to include two examples which are not shown in Guidelines. The first is a drum shape calico gaiter. It has the traditional plate and loop shank. This example measures just under 1/2″ and has a calico pattern covering the top but not the sides of the drum shaped china piece. It is found in a variety of calico patterns and in a slightly larger […]
The second unusual type is larger, has a rolled rim and an impressed faux four-hole sew-through pattern.
PART 2 : Minor Classes of China Buttons Having Metal Shanks
Part 2 deals with china shoe and smock buttons. Shoe buttons are of two different styles. From Guidelines, “One group has a rounded top, a flat back, a metal loop shank inserted in the body….The other group has a pin-shank passing through the body.” Smock buttons are those worn on uniforms. Our reference says they are only found in white, but black bodied smock type buttons do exist.
I’m inserting here a photo of an unusual pin-shank shoe button.
PART 3. China Bird Cages (Inserted Four-Way Self Shanks)
This button derives its name from the reverse of the button and the resemblance of the shank configuration to a cage. Guidelines describes the construction: “The button is made of two (in some shapes three) separate pieces. The cap is dish-like with large mouthed opening on the under side. The shank portion (a hollow cone pierced by four slits) fits over the opening like a lid. Drawings No. 2 and 3 show three -piece construction, the knob or tip in center being an added part.” ”Bird cage tops are of four shapes: 1. a smooth convex cap; 2. a fluted border sloping down slightly from a small cap in the center; 3. fluted border like No. 2 but with a peaked cap inside; 4. the same with a concave center.”
A bird’s eye view of the reverse of this type of china button (forgive me…I couldn’t resist.) Guidelines lists six patterns. My collection suggests that patterns 2, 4 and 5 are very rare. Pattern #6 was a gift and I have never seen another one.
The fluted rim example is often found in solid white and may also be found with a completely lustered top. The center may be marbled or mottled shades or a solid color or luster. Guidelines says that colored flutings are much more unusual than colored centers.
PART 4. China Buttons with Inserted Two-Way Self Shank
From Guidelines: ”These china buttons are molded in two parts….The shanks are hollow disks rounded to fit into a molded well at the back of the button top. The slightly elongated shank has two holes at opposite sides, used for sewing the button to the fabric. There seem to be twenty different types of button in this class, each with individual characteristics, but all alike in shank construction.”
Plates 19 and 20 depict a drawing and a black and white photo of the 20 original body styles. Pattern Number 1 is distinguished from 1a because of the differing application of paint across the surface grooves. Number 11 is one of the scarcer shapes. It is found in the smallest (3/8″) and the largest (7/8″) examples of this body type. Number 12 is not pictured but is described: ”It is bean-like with the shank where the bean would be attached to the pod.”
A close up of the difference between #1 (black stripe) and #1a (red stripe) below:
Since 1970 when Guidelines was published, many more different styles of body tops, or patterns on known body types, have been discovered, all sharing the shank as described above. Matthew Brown has also contributed a nifty acronym, TWISS, which is finding acceptance in the china world. (Thank you, Matthew.) Matthew, Jane Quimby and Deb Hanson are responsible for discoveries of most of the new types shown in the scan below. There are many others!
PART 5: China Whistle Buttons
From Guidelines: “A ‘whistle’ button has been broadly defined as ‘any button with a single verticle hole at the top and two or more at the back.’” “China whistles have two (very rarely three) holes at the back, one on top.” “They are put together in four different ways.”
Guidelines mentions that the same shape and patterns can be found on both A and B construction types. The text says that only solid white D types have been found, making this the rarest construction type. And the rarely seen china whistle with three or four holes on the reverse:
Notice the very fine coated wire holding the buttons in place? Try your local Radio Shack store, asking for 30AWG Kynar Wire. The catalog number is (was?) 278-502. Use it for all your whistles, and smile. Continuing from Guidelines, “A complete list of colors used on china whistles would be very long….it would include white, black, red, blue, green, purple, lavender, orange, brown, gray, and pink plus gold, silver and copper luster.” “…a single shade may have a matt, a bright or a lustered finish.” 20 shapes of china whistles are illustrated in Guidelines.
Of the shapes, I have found the scarcer types to be #s 5, 8, 11, 13, 14, 15, 19 and 20. And obviously, #s 16 and 18 are rare. Guidelines does not list “marbled” as a color, but it is common on body type #17. There are 10 patterns illustrated in Guidelines. The statement is made that “no pattern comes on more than one shape” and the shape to which each pattern belongs is given in the text.
Pattern # 9 is elusive, but several patterns have surfaced which have not been included in Guidelines‘ list. Others may be seen at the China Button Exchange site http://chinabuttonexchange.com/
In the following photo the first row shows china whistles shapes which were not catalogued, but are legitimate examples. The second row includes from left to right: a marbled unlisted body type, a faux marbled finish on an unlisted body type and two unlisted patterns.
Part 6 : The Elusive Igloo Button
The igloo is the last button included under “Complex Construction.” There are both small (under 3/4″) and medium (over 3/4″) igloo buttons in approximately equal numbers. The current classification lists igloos as two-hole sew-throughs. They are distinguished by their unusual construction, in which a flat disk with two holes is topped by a dome with side openings for the sewing-through process.
The pattern #9, a white igloo top on a blue disk base is considered rare.
The half igloo? While collecting chinas I have found three different examples of the bottom disk of an igloo missing the rounded dome. One day while browsing Guidelines I noticed Shape 13 listed under Two-Hole Hollow-Eye buttons and realized I had never seen an example of this button in a collection. Refer to pages 53-54–could it be the half igloo? The blue mottled example below measures 9/16″ as referenced in Guidelines for Shape 13.